A Poet Rides Out
by Bronmin Shumway; After Hours, 2008
_____


These are the moon's hours, the hours
of teeth, winking

and of the mist on the lake, where two halves
of a paper cup
bob like a split apple.

Funny little cup: as if it once held
the wealth
of all this water and burst,

a pocket too heavy with one, five, ten,
twenty-five cent pieces
that finally ripped from itself,
made the world rich.

The flying buoys were loosed too,
a woman's baubles,
and the fishes were loosed.

Loosed, the tears of a man
in the window
of a high rise on Lakeshore Dr.,
behind him, a crooked Matisse:
La Leçon de Musique.

Out riding, I go out riding
offering my own
funny cup, saying, "Fill me, fill me, fill me up."
I sing to the echo in the harbor.

Here is my grandmother, and here,
my mother's father.

Here is a nightmare, nibbling
at my palm.

On Lakeshore Dr., the man
turns from his Pleyel
and puts out the light.

It was a goodnight,
Mr. Matisse, a goodnight.

Underground
by Bronmin Shumway; LanguageandCulture.net, 2006
_____


Few have received
what we have reciprocated.

Few, able-minded,
have looked to starlight,
the triumph of starlight,

and so, in the midst of this,
our revolution,
we are ashamed to hope.

Those who were born here
have never seen sky.
It is a rumor, like fruit.

And yet we sing,
as the stars have done.

Of life, though we have died,
though we are dying still.

You, Everywhere
by Bronmin Shumway; Empowerment4Women, 2007
_____


Walking the stone beach at dawn
I see a small cliff

and make out, between the coalescing
and yanking waves,

your face in the rock. Love watches from a lighthouse,
and blinks.

And again, in the Check bakery's
pastry case

among the sweetbreads, a loose cherry
on the parchment

is your mouth. Love rots in me like a tooth, I have known
such sweetness.

Over the hill, the old house sits
and it is you

on the swing, holding your guitar
like a child,

singing to it like a child. It is only morning, and already
you are everywhere.

The Nightgown
by Bronmin Shumway; X Magazine, 2006
_____


Like the night

has fallen, and will not
let me up,

but instead, takes its bright paws
to my bed,

to the dream of me,

so my nightgown, in a fog,
has fallen.

When I am older-an old woman,
I will think

on this moment.

I will think:

on my mouth
was once

the animal of his name.

Twins
by Bronmin Shumway; Illya's Honey, 2004
_____


Brother, at the helm of our lives
I imagine us a split egg.

Split now for miles,
fraternal years, fraternal lives

cracking

under the weight
of the dirty gene

and the clean one.

Brother, we are nook and cranny.

You of the great bank heist,
of the skate, slip and
circumvent.

Me of the bank,
storing memories
of wife
and children like tithes.

Me of the sacrament,
blessed.
Me the rock.
On the ball.
Rolling.

From opposite ends of the field
I imagine us two generals.

Armies of cells, attending
wounds, attending knives

sharp

and virile enough
to sever an umbilical cord

once, twice.

"[...] And we / Loved each other too, not in the way of / Romance but in the way of two poets loving / A stone, and the world that stone signified."

-Hayden Carruth

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